SCHEDULE

REQUIREMENTS

BAROQUE ART

RESERVE

RESOURCES


RESERVE (Spring 2003)


Moshe Barasch
Theories of Art From Plato to Winckelmann
New York: New York University Press, 1985.

Anthony Blunt
Artistic Theory in Italy 1450-1600
Oxford: Oxford University Press, [1940] 1962

Anthony Blunt
Nicolas Poussin (2 vols.)
London, New York: Phaidon; Bollingen Foundation, 1967

Anthony Blunt
Art and Architecture in France 1500-1700
Harmondsworth: Penguin, [1953] 1980.

Bruce Boucher
Italian Baroque Sculpture
London: Thames & Hudson, 1998.

Peter M. Daly and Virginia W. Calahan (eds.)
Andreas Alciatus
Toronto: University of Toronto Press, 1985.

Charles Dempsey
Annibale Carracci and the Beginnings of Baroque Style
Glückstadt: J. J. Augustin Verlag, 1977.

Robert Enggass and Jonathan Brown
Italy and Spain 1600-1750 (Sources and Documents)
Englewood Cliffs: Prentice-Hall, 1970.

Sydney J. Freedberg
Circa 1600: A Revolution of Style in Italian Painting
Cambridge, MA: Harvard University Press, 1983.

Walter Friedlaender
Caravaggio Studies
Princeton: Princeton University Press, 1955.

Walter Friedlaender
Mannerism and Anti-Mannerism in Italian Painting
New York: Schocken, [1957] 1965.

Walter Friedlaender
Nicolas Poussin: A New Approach
London: Thames & Hudson, 1966

Julius S. Held and Donald Posner
17th and 18th Century Art: Baroque Painting, Sculpture, Architecture
Englewood Cliffs/New York: Prentice-Hall/Abrams, [n.d.].

Elizabeth Gilmore Holt (ed.)
Literary Sources of Art History
Princeton: Princeton University Press, 1947.

Robert Goldwater and Marco Treves, eds.
Artists on Art
New York: Pantheon, 1945.

Francis Haskell
Patrons and Painters: Art and Society in Baroque Italy
New Haven: Yale University Press, 1980.

Howard Hibbard
Bernini
Baltimore: Penguin Books, 1965.

Howard Hibbard
Caravaggio
New York: Harper & Row, 1983.

Irving Lavin
Bernini and the Unity of the Visual Arts (2 vols.)
New York: Oxford University Press, 1980.

Rensselaer Lee
Ut Pictura Poesis: The Humanistic Theory of Painting
New York: Norton, 1967.

Denis Mahon
Studies in Seicento Art and Theory
London: Warburg Institute, University of London, 1947.

John Rupert Martin
Baroque
New York: Harper & Row, 1977.

Vernon Hyde Minor
Art History's History
Englewood Cliffs/New York: Prentice-Hall/Abrams, 1994.

Vernon Hyde Minor
Baroque & Rococo: Art & Culture
Upper Saddle River, NJ: Prentice-Hall, 1999.

Erwin Panofsky
Idea, A Concept in Art Theory (trans. Joseph J. S. Peake)
Columbia, SC: University of South Carolina Press, 1968.

Nikolaus Pevsner
Academies of Art Past and Present
Cambridge: Cambridge University Press, 1940.

Mario Praz
Studies in Seventeenth-Century Imagery
Rome: Edizioni di Storia e Letteratura, 1964.

Cesare Ripa
Baroque and Rococo Pictorial Imagery. The 1750-60 Hertel Edition of Ripa's 'Iconologia'
New York: Dover, 1971.

Cesare Ripa
Iconologia (Padua, 1611 )
New York: Garland, 1976.

Jakob Rosenberg, Seymour Slive, and E. H. ter Kuile
Dutch Art and Architecture 1600-1800
Harmondsworth: Penguin Books, 1979.

John Spike
Caravaggio
New York: Abbeville Press, 2001.

John Varriano
Italian Baroque and Rococo Architecture
New York: Oxford University Press, 1986.

Rudolf and Margot Wittkower
Born Under Saturn
New York: Norton, [1963] 1969.

Rudolf Wittkower
Art and Architecture in Italy 1600-1750
Harmondsworth: Penguin, [1958] 1980.

Heinrich Wölfflin
Principles of Art History: The Problem of the Development of Style in Later Art (translated by M. D. Hottinger)
New York: Dover, 1929.

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ART AND THEORY IN BAROQUE EUROPE
Christopher L. C. E. Witcombe, Professor, Department of Art History, Sweet Briar College, Virginia, 24595 USA
(phone: 434-381-6194 / fax: 434-381-6173). Email: witcombe@sbc.edu

© Chris Witcombe