SCHEDULE
Introduction
Mannerism & Baroque
The Absence of Stylistic Unity
From Mannerism to Baroque
Naturalism
The Passions of the Soul
The Allegorical Tradition
Space
Time
Light
Antiquity
SPACE
(Chapter 5 from John Rupert Martin)
(image source Carol Gerten)
Caravaggio, Supper at Emmaus, 1600-01
Rembrandt, Captain Frans Banning Cocq Mustering His Company
("The Night Watch"), 1642
image source
Pieter de Hooch, Courtyard of a Dutch House , 1658
Pietro da Cortona, Glorification of the Reign of Urban VIII, 1633-1639
Gianlorenzo Bernini, David, 1621-25
image source
Diego Velázquez, Las Meninas,
c. 1656
image source
Gianlorenzo Bernini, Ecstasy of St. Teresa, 1647-52
Cornaro Chapel, Santa Maria della Vittoria, Rome
Baciccio (G. B. Gaulli), Triumph of the Name of Jesus, 1676-1679
ceiling fresco with stucco figures, Church of Il Gesù, Rome
Andrea Pozzo, Triumph of St. Ignatius Loyola
(Allegory of the Missionary Work of the Jesuits), 1691-1694
Fresco on the ceiling of the nave, Sant' Ignazio, Rome
Claude Lorraine, Seaport: The Embarkation of St. Ursula, 1641
Jacob van Ruisdael, View of Haarlem with Bleaching Grounds, c 1665
Gianlorenzo Bernini, Sant' Andrea al Quirinale, Rome, 1658-1670
ART AND THEORY IN BAROQUE EUROPE is produced by Christopher L. C. E. Witcombe, Professor of Art History, Sweet Briar College in Virginia, 24595 USA (phone: 804-381-6194 / fax: 804-381-6494). For more information, please email him at witcombe@sbc.edu