SCHEDULE

REQUIREMENTS

RESOURCES


Introduction
Mannerism & Baroque
The Absence of Stylistic Unity
From Mannerism to Baroque
Naturalism
The Passions of the Soul
The Allegorical Tradition
Space
Time
Light
Antiquity




SPACE
(Chapter 5 from John Rupert Martin)


(image source Carol Gerten)
Caravaggio, Supper at Emmaus, 1600-01



Rembrandt, Captain Frans Banning Cocq Mustering His Company
("The Night Watch"), 1642



image source
Pieter de Hooch, Courtyard of a Dutch House , 1658



Pietro da Cortona, Glorification of the Reign of Urban VIII, 1633-1639



Gianlorenzo Bernini, David, 1621-25



image source
Diego Velázquez, Las Meninas, c. 1656



image source
Gianlorenzo Bernini, Ecstasy of St. Teresa, 1647-52
Cornaro Chapel, Santa Maria della Vittoria, Rome



Baciccio (G. B. Gaulli), Triumph of the Name of Jesus, 1676-1679
ceiling fresco with stucco figures, Church of Il Gesù, Rome



Andrea Pozzo, Triumph of St. Ignatius Loyola
(Allegory of the Missionary Work of the Jesuits), 1691-1694
Fresco on the ceiling of the nave, Sant' Ignazio, Rome



Claude Lorraine, Seaport: The Embarkation of St. Ursula, 1641



Jacob van Ruisdael, View of Haarlem with Bleaching Grounds, c 1665



Gianlorenzo Bernini, Sant' Andrea al Quirinale, Rome, 1658-1670

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ART AND THEORY IN BAROQUE EUROPE is produced by Christopher L. C. E. Witcombe, Professor of Art History, Sweet Briar College in Virginia, 24595 USA (phone: 804-381-6194 / fax: 804-381-6494). For more information, please email him at witcombe@sbc.edu

© Chris Witcombe