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![]() An exploration of how and why places become invested with SACREDNESS and how the SACRED is embodied or made manifest through ART and ARCHITECTURE
STONES AND THE SACRED
Stones of various kinds and sizes have been invested with sacredness from the earliest times. The worship of stones can be found in most ancient cultures, while sacred stones can be found in most of the world's religions.
According to Pausanias (VII, 24. 4) [see BIBLIOGRAPHY], In olden times all the Greeks worshipped unwrought stones instead of images and describes thirty square stones near a spring sacred to Hermes [cf. Water and the Sacred] ar Pharae in Greece.
Beginning as early as 5000 BCE, large stones (megaliths - Greek mega, great, and lithos, stone), either unwrought or roughly worked were erected across prehistoric Europe to stand in lines or in circles (such as at Stonehenge in England), or otherwise arranged in conjunction with earthworks usually identified as burial mounds (such as at Newgrange in Ireland). Little is known the purpose or meaning of these megalithic constructions, but it is universally agreed that they mark or embellish a sacred place in the landscape.
Examples of megalithism can also found in contries around the world, such as the Beforo monument near Bouar in the Central African Republic, the Tatetsuki stone circles standing the summit of a tumulus at Okayama in Japan, and the moai statues on ceremonial platforms on Easter Island [see Jean-Pierre Mohen in the BIBLIOGRAPHY].
The moving and arranging of massive stones into a building or some other configuration in a sacred context also characterizes many early cultures around the globe, from the Inca in South America, to the Egyptians and Mycenaeans.
Another example of a holy stone is the very sacred Black Stone (reddish black, with some red and yellow particles ) inside the holy shrine of the Ka'ba [1. Ka'ba] at Mecca. It is thought that the Black Stone, now in pieces (three large parts, with smaller fragments which are tied together with a silver band), may be a meteor, or a piece of lava, or a piece of basalt. Its original diameter is estimated to have been 30 cm. Besides the Black Stone, built into the western corner of the Ka'ba is less sacred Stone of Good Fortune.
Stones and rocks in Japan were initially seen as symbols of mononoke (supernatural forces which permeate matter and space). Later, an abstract, undifferentiated mononoke was replaced by more definite animistic deities which resided in the stones and rocks. These rock abodes are called iwakura. All over the precinct of the Shrine at Ise are rocks and stones which are venerated as the abodes of deities, such as the subsidiary shrine at the Naiku called Takimatsuri-no-kami. Elsewhere in Japan are many stones and stone arrangements representing the male and female principle, such as the stone circle at Oyu in Akita Prefecture in Northeastern Japan. The emotional attachment to natural stones, originally religion-inspired, has persisted in Japan and is manifest today in the creation of richly symbolic and spiritual stone gardens.
3. Stones and the Sacred
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